Categories
Review

So Not A Hero

I actually read a book again! I’m slowly having more time for that, mostly because instead of binge-watching shows on Netflix I binge-do homework, and I’m starting to run out of homework for the semester. At which point I start reading again.
Anyhow, I just read S.J. Delos’ So Not A Hero – it’d been on my list for a while, and I finally got around to it when I realized that my Amazon Prime lets me get a free book every once in a while.
I quite enjoyed it, to be honest – there were a couple scenes of a graphic nature that I skimmed past, because I’m not really interested in that sort of thing, but other than that, I found it all enjoyable. Sure, there were one or two things that slipped past the editor,1 but it’s the first book Delos has written, and I’m certainly not going to be up in arms about one or two spelling mistakes. It happens.
Now, a bit of background on the story: it’s a Superhero Story, where people randomly become Enhanced, some sort of Mysterious Cosmic Energy2 giving them various superpowers.
The heroine of the story, an asian-american who goes by Karen,3 has just been evicted from her (rather terrible) apartment. The reason? Her landlord found out that she’s an ex-convict, out on parole at the moment. Her parole officer starts giving her a hard time about being down on her luck and is just generally an awful person.
You see bits and pieces of what she went to prison for, but the long and short of it is that she was a supervillain. “Crushette” may not be the best name, but there’s a lovely bit of tongue-in-cheek referencing to copyright law here where the book discusses a law that was passed after the first Enhanced folk started showing up, when “every city had their own Superman and Hulk.” The comic book companies leaned on Congress, and Congress made it illegal4 to use an existing superhero/villain name for yourself. Helpfully, they also established a centralized database of the names, which kept everything from getting too complicated.
And then, while waiting for the bus, Karen catches a plasma blast5 that would’ve hit the non-Enhanced people also waiting at the bus stop. She gets them to safety and helps the superhero in the fight take down a group of supervillains, some of whom she’d worked with in the past.
And he offers her a job, saying that there’s a spot open on his superhero team.
At which point she goes into a lovely little spiral of self-doubt and introspection, and the book becomes a sarcastic redemption story. Karen spent two years in a maximum-security prison: she’s not going to accept that good things can just happen to her, and she spent too long as a supervillain to not have some great banter ready for every situation.
From there, the book gets fun. The superhero team is a dysfunctional little group, the villains aren’t afraid to swear, and Karen has a running issue with the fact that, while she’s indestructible, her clothes aren’t.
Basically, it’s a villain-becomes-hero superhero story told for adults, and I quite enjoyed it. Give it a read.


  1. Or rather, weren’t edited in such a way that made me wonder if there’d been an editor at all – not egregious errors, just, like, spelling mistakes every once in a while. 
  2. I use capital letters to express my sarcasm 
  3. She changed her name to fit the ‘American standard’ to spite her family, it’s a whole plot arc. 
  4. Punishable by, if I’m remembering right, something like five years in prison. 
  5. Or something, I’m paraphrasing here – this is still the first two chapters that I’m describing, and the book is significantly longer than that. 
Categories
Review

Young Wizards: Lifeboats

Hey, it’s been a while since I did a book review! My whole “read every book on my Kindle” project really slowed down when school started. I wonder why?1
This one is a bit of a cheat on that project, because I just got the book a week or so ago and have been slowly reading it since then. Nonetheless, I’m going to do a review.
So, let me start this off by saying that Diane Duane is one of my favorite authors. Seriously, she’s wonderful. The Young Wizards series is one of those things that I read growing up – I got the first book, So You Want To Be A Wizard, when I was in elementary school, and I (technically) own every book in the series now.2 It’s also wonderful because it feels like the characters grew up with me: when I started that first book, they were excited kids being dropped into a world of magic and adventure, just like I was when I first opened the book. By the time of Wizards at War – my first hardback in the series, which somehow gives it more weight both literally and metaphorically – they were in high school, taking the same classes I was. (And, in their spare time, fighting in a galaxy-spanning war, which I can’t really lay claim to without getting so metaphorical that I lose track of what I’m trying to say.)
Lifeboats is part of a three-piece cycle that Duane wrote, a ‘transitional trio’ that leads from A Wizard of Mars into the upcoming new book, Games Wizards Play.3
Some bits of the afterword, read last night right before I went to bed, stuck with me. And I think they’re very true. The book4 takes advantage of something Duane does that few other authors have taken advantage of: the ability to sell directly to the reader. Her eBooks Direct store sells DRM-free versions of most5 of her (and her husband’s) books. It’s a wonderful thing, and I’ve bought quite a few books that way. It’s a nice feeling to know that 100% of your purchase is going to the author, rather than being filtered through a supply chain and a publisher or two.
More importantly to the book, though, is the fact that Lifeboats was written entirely without the intervention of her publisher(s). It was direct-to-ebook, and that afforded her more freedom than normal. Going through a publisher, a book has to be marketable. It has to be something that people will buy. Market forces stop for no man.
Lifeboats, then, wasn’t a labor of economic forces. It was a labor of love. It was free to be whatever Duane wanted it to be.
And that showed: it expanded on a few side references from earlier books6 while dropping a couple others7 that I must now desperately hope get explained somewhere along the line.
And it was able to be something other than an adventure story following the hero around.
This wasn’t a ‘save the world’ kind of adventure. This was a ‘the world is doomed, try to save what’s left’ sort of thing.
The setting is a planet, close to the galactic core, that lives in the shadow of a moon almost the same size as the planet. The moon is an oppressive presence to our Earthling heroes, weighing down on them from above and providing a constant reminder of the doom that’s already underway: that moon is disintegrating, and as it does so it’ll wrack the planet below with tidal forces, earthquakes and tsunamis, all while raining pieces of itself down from above. A thousand Chicxulub impacts a week, and eventually something that’ll look like firing a bullet through a billiard ball when the metal core of the moon falls out of orbit and hits the planet with all the force that a sextillion tons of iron pick up by being in free-fall for weeks on end.
The main characters aren’t the main characters here: they’re just a viewpoint into a massive evacuation operation, a network of worldgates8 being used to evacuate the planet’s entire population, as well as a sizable chunk of the ecosystem as a whole and as much of the civilization’s cultural artifacts as possible. From Earth alone, something like 60,000 wizards were brought in to orchestrate the operation, and tens of other planets were also tapped for their wizardly resources. The scale of the operation is mind-boggling.
And we never get to see it, because we’re watching through Kit’s eyes as he acts like a cog in a much larger machine, keeping one of the worldgate complexes running while hundreds of thousands of people walk out of one of a set of small ‘feeder’ gates and into the larger upstream gate.
The book gets to spend more time looking at the relationships between the characters, expanding on the sort of thing that gets a few pages of introspection in one of the novels, but gets nearly a third of the book here.
And, quite frankly, I think that’s wonderful. It’s an expansion of the universe in all the best ways: the characters get more time in the spotlight, there’s a heck of a lot of world building, and we get to see people just… doing their jobs. It felt like a behind-the-scenes look into a world that I love, and I enjoyed every minute of it.
My only complaint is that it didn’t make good before-bed reading, because I wound up too invested in it and stayed up too late reading. And that’s the best problem for a book to have.


  1. Probably something to do with the fact that I’m taking 130% of a regular credit-load. Whoops. 
  2. I say ‘technically’ because there’s a few that were loaned out to people and never returned. I’m a bit more careful about keeping track of who I loan books to, these days. 
  3. I have a lot of excitement for that book and I have no idea when it comes out or anything. At this point, I know I’ll enjoy it, it’s just a matter of waiting or it to be released. 
  4. Actually more of a novella, I think, though the distinction between the two is a bit fuzzy and tends to change depending on who you ask and what time of day it is. 
  5. Not all, some aren’t available due to licensing restrictions from the original publishers. 
  6. I love any reference to the Crossings, and thus was overjoyed by the opening sequence of Lifeboats
  7. What happened at the Kola Superdeep Borehole? 
  8. Or, y’know, portals, for those who like the more boring words for things. 
Categories
Playlist

Playlist of the Month: October 2015

I almost did this write-up last weekend before realizing there was another week of the month left. Whoops.
Anyways, hope y’all weren’t expecting anything too spooky – the only ‘themed’ stuff any of my playlists ever get is a little bit of Christmas music in November/December.
Big Jet Plane – Angus & Julia Stone
A Sky Full of Stars – Coldplay
All I Want – Kodaline
Kingdom Hearts – Dearly Beloved – Vitamin String Quartet1
The Fault In Our Stars (MMXIV) – Troye Sivan
Wolves Without Teeth – Of Monsters And Men
Thousand Eyes – Of Monsters And Men
Talk – Kodaline
I Of The Storm – Of Monsters And Men
Everybody Knows – RAEKO feat. Mating Ritual
Fly Away For A Summer (Achtaban Remix) = FLAUSEN feat. Ben Cocks
Indian Summer – Blood Cultures
Fast Car – Navarra2
Ghosts – BANNERS
Man of Lies (live acoustic) – Blueneck3
The Knife – Deprival
I Found – Amber Run
5AM – Amber Run
Skinny Love (VANIC Remix) – VANIC
I Love You (Quintet Version) – Woodkid
Silver Linings – Leo Kalyan
Good Morning – Amber Run
Shiver – Amber Run
Little Ghost – Amber Run
Hurricane – Amber Run
Don’t Wanna Fight – Amber Run4
Not Alone – LINKIN PARK
I Need My Girl – The National
Don’t Swallow The Cap – The National
Heavenfaced – The National
Pink Rabbits – The National5
Pools – Harrison Brome
Harbor – Tropics
You’re Beautiful – James Blunt6
Shine A Light – BANNERS
Demons – The National
Yellow (acoustic version from Jo Whiley’s Lunchtime Special) – Coldplay
Father, Sister – Blueneck
King Nine – Blueneck
Sparks – Coldplay (acoustic version)
Gravity (Time To Run) Zeke Duhon
See You Soon – Coldplay (acoustic version)
Controlled Burn – Tall Heights
Fireproof – The National
Calypso – Sarah Kirkland Snider7
Safe & Sound (feat. The Civil Wars – Taylor Swift
Downtown – Majical Cloudz
Hell and High Water – Tall Heights
Thru – Vallis Alps
The Running of the Bulls – Tall Heights
Everything – Zeke Duhon
Do Not Resuscitate – Tall Heights
Careful Where You Stand – Coldplay (acoustic version)
Bleed – Tender
Creepy – Oyster Kids8
Three Strikes (feat. Jack McManus) – Afrojack
Never Let You Down (feat. Lykke Li) – Woodkid
Iron – Woodkid9
Auto Rock – Mogwai
Man of Stone – Tall Heights
Woods – Bon Iver10
D to E – Mogwai11
My Father My King – Mogwai

And that’s October! Looking forward to putting together my November list now. And, come February, you’ll have a full year’s worth of my playlists to read through. I might have to make an infographic or something.


  1. One of my choir kids (and yes, I’m aware that habitually claiming ownership of them is a bit strange, but I’ve done it for years and I’m not going to start now) was playing this song (not the VSQ version, just the original) on the piano, and I was rather proud of myself for recognizing it. 
  2. I’ve noticed that this version has neatly eclipsed the original as my favorite. Hmm. 
  3. The rate at which my interest in Blueneck is going, I might wind up having another huge appearance of them in December. Maybe winter just makes me feel like listening to exactly this kind of ‘desolate’ music? 
  4. Hmm, I wonder if I like Amber Run or not. They’ve only been present in huge amounts for a couple months… \</sarcasm> 
  5. Big blobs of a single artist like this don’t tend to bug me, mostly because my phone has been on ‘shuffle’ since I got it a year-and-change ago. 
  6. This is the explicit version. My roommate got mortally offended by the simple existence of the censored version. 
  7. That’s the composer, not the actual performer(s), but I don’t know who performed it and I do know who composed it. I pulled this from her website. 
  8. Okay, this song and the one before it are slightly in tune with Halloween, but whatever. 
  9. I had a fun and confusing conversation about this song when it started playing and the other person in the room went “wait, you listen to Kendrick?” and I went “who?”
    Long story short, Kendrick Lamar sampled this song for one of his songs. 
  10. I was really confused as to how this wound up in my iTunes library before I realized that it was from the “rainy days” mixtape that my friend made for me. I’m still waiting for a good sitting-indoors-reading rainy day to listen to the whole thing. Today was supposed to be rainy, but mostly it’s just clouds and wind. C’mon, weather, step it up. 
  11. Even if I didn’t like this song I’d probably have it in this playlist just because we’ve been talking about modulations a lot lately in my music theory classes.